Tuesday, April 15, 2008

The Best Sci-Fi Album Covers, Part 7

Beck, Mellow Gold—1994

I'm not including this album cover because I think it is one of the best. I want to prove a point.

See Ecclesiastes 1:9—The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.

Now see “Turbo Lover,” by Judas Priest. Sorry Beck.

Also, Beck has a thing for Xenu.

Monday, April 14, 2008

The Best Sci-Fi Album Covers, Part 6

ELO, Out of the Blue—1977

If any of you every played with Milton Bradley’s Simon when you were kid, you might be having an unpleasant big brother or big sister flashback as you look at this album cover. What we have here, of course, is another “Spaceship” themed cover.The cover depicts what I’m guessing is ELO’s private yacht docking with a ship that’s roughly the size of the Louisiana Superdome (a size necessary to accommodate Jeff Lyne's enormous afro). Here’s a clip from an ELO “Best Of” album commercial that prominently features the ELO ship. Apparently, the ship is also some sort of transformer as well.

Holy Crap! Here’s a side note. The ELO song “All Over The World” is featured in the 1980 movie Xanadu. I’ve never seen the movie, but now it’s just jumped up to the top of my queue. Oliva Newton John, Gene Kelly, and Michael Beck (Swan, from The Warriors)? Words fail, but at 1:50 into the clip, I was convinced. Completely.

The ship depicted on the cover of Out of the Blue is only one of a few iterations of ELO UFOs. A website called Halfpixel has a hilarious comparison between the Boston Guitar Ship and the ELO fleet. Journey makes an appearance too. Though valid points are made on the ELO side, the guitarship is still the best rock and roll space ship ever.

Sunday, April 13, 2008

The Best Sci-Fi Album Covers, Part 5

Boston Boston1976

Continuing the theme of planetary destruction…I love this album cover. I love it. You love it. How could anyone not love this album cover. Here are some interesting questions the cover present. First of all: how AWESOME are the guitar shaped starships? Look at them closely. Forget the fact that they're shaped like guitars. Each ship carries an entire city beneath some sort of transparent bio domes. These things are enormous. I'd like to see one of them on that Starship Dimensions web site. In fact, I wrote the folks at Starship Dimensions to see if I could get some measurements. I haven't heard back from them yet. The flame-like material emanating from the guitarship's soundhole is, I think, a corporeal manifestation of ROCK exhaust. And there's a whole frickin' fleet of them (on the best image I could find I counted 10)…leaving a planet that is doing a fair impersonation of Krypton. I'm going to go out on a limb here and suggest that this is not the planet of origin for Boston. Seriously. If you were fleeing a doomed planet, you probably wouldn't have the time to build such classy city arks like these masterpieces No. I think Boston came to this planet and ROCKED it into tiny little pieces before moving on. Depending on your perspective then, Boston is not a particularly benevolent force in the galaxy.

Update: Here's some computer animation of the Boston Guitarship in action. I think it is pretty cool but don't think the scale is quite correct.

Saturday, April 12, 2008

The Best Sci-Fi Album Covers, Part 4

Yes, Fragile—1971

Progressive Rock and Roll very nearly owns the sci-fi album art category. This whole list could be made up of album cover art by just Yes and Asia. I’ve decided to narrow my choices to just one album by each band. The cover art for Yes' Fragile is just stunning. What an idyllic planet we’re looking at here. A simple white road traverses two "continents." Huge trees rear up from the surface along with monolithic rock formations (or maybe handmade towers?) The scale sort of reminds me of the planet from The Little Prince. There’s no greater or fragile spaceship than the planet you are on. That seems to be the message here. On the albums front cover, we have a top-down perspective. In the aether above the planet, some sort of crazy wooden ship orbits.

The back cover art shows presumably the same planet in the process of breaking apart. This apocalyptic turn of events underscores the idea of fragility, but also forces us to consider the purpose of the spaceship, which we can see now is fish shaped. What is its purpose. Is it here to rescue the inhabitants of this world or did it come here to destroy the planet This might be my favorite album cover of all time. Roger Dean is the artist responsible for this and many other Yes album covers. He also painted covers for Asia, Uriah Heap, and many others.

Friday, April 11, 2008

The Best Sci-Fi Album Covers, Part 3

The Jacksons, Victory—1984

1984 was a mixed bag for Michael Jackson and his family. Off the incredible success of Thriller, Michael and his brothers recorded Victory. The album supporting "Victory Tour" was (at the time) the highest grossing concert tour ever. Albums were flying off the shelf and concert venues were sold out months in advance. Michael also had entered into a lucrative endorsement deal with Pepsi but we all know how that ended. The only thing I vaguely remember from this album is the song Michael sings with Mick Jagger called “State of Shock,” but I fully remember the album cover though. Who could forget it, depicting, as it does, the Jacksons on their home planet immediately before taking the great desert highway in the sky to Earth? Lest we forget, “Can You Feel It?” is a truly frightening video. Different album…but c’mon! The beginning is narrated by legendary word jazz guy Ken Nordine.

MacFarlene Toys? Listen up. We need a Victory line of Jackson action figures. Like…yesterday. Okay?

Thursday, April 10, 2008

The Best Sci-Fi Album Covers, Part 2

Autograph, That's The Stuff—1985

I’m really very sorry for all of The Sarah Conner Chronicles' Cameron fans. I’m doubly sorry for all of you BSG Caprica fans, but the bot pictured in this 1985 album cover for Autograph’s That’s The Stuff is the second most sexy ROBOT ever. The first of course is the robot from Metropolis (also best mad scientist ever). The only reason this robot is being marginally modest with the t-shirt is to get a mid-80s Tipper Gore off of the bands back. We didn't see much of this lovely lady after That's the Stuff. Heck, we didn't see much more of Autograph after that. It does look like she was whored out re-purposed 18 years later to Aerosmith. She still looks pretty good on the cover of Just Press Play. But the cheesy Monroe nod? So lame. And the high polish etchttoo? So trendy. I guess that is one advantage of being a robot. If you don't like your etchtoo, you can get that thing sandblasted right off.


Autograph has at least one semi listenable song in their oeuvre. "Turn Up The Radio" was a staple on the radio when I was in the 9th grade. With lyrics like

I'm working hard.
you're working too.
We do it every day.
For every minute I have to work.
I need a minute of play.
Day in day out, all week long
things go better with rock...

Wow. Lyric gold. You really can't go wrong with this song.

I didn't remember the video, but after watching it, I have to say it is worth watching. Of special note is the mechanical pencil they use to "sign in." It's the same mechanical pencil I used in my 9th grade algebra class. The band appears to employ robotic roadies or something that appear to be the same model line as the robot above. Check it out.

Wednesday, April 9, 2008

The Best Sci-Fi Album Covers, Part 1


Lately and for no reason at all, I’ve become obsessed with album covers that exhibit definite sci-fi tendencies. Actually, I think I’m interested in why a certain population of purveyors of popular music are so damned interested…at least visually…in the speculative, the futuristic, and the fantastic. So I’ve done a bit of research and want to present my favorite “sci-fi” album covers. I’ve disqualified patent supernatural images of demons or dragons else the list would be far too long. So sorry Black Sabbath, Jethro Tull, and Dio. The band Hawkwind deserves it’s own individual attention so I’m not including them here. So, in no particular order…

Judas Priest, Screaming for Vengeance—1982Sneaky, snarky, and one of the few transformers to actually sound like a robot, Soundwave was my favorite old school Decepticon. One of Soundwave’s coolest features were the tricked out audio cassettes living in it’s chest which would transform into a mélange of animal transformers. The coolest of these was Lazerbeak, which brings us to Judas Priest. This cover is sci-fierce! This mechanical bird of prey reminds me of Lazerbeak, but in a head to head battle between the two, I’d have to choose this guy. It was tough to choose between this Judas Priest album cover and Defenders of the Faith, which features an awesome Voltron-esque tank thing. But SfV has the track "You've Got Another Thing Coming," which beats the hell out of anything on DotF. For fun…check out Judas Priest video for “Turbo Lover.” It is one of the best videos EVER made…kind of a cross between T2/Mad Max…Ah hell, this video is in a league of its own. Rob Halford is no joke.

Stay tuned tomorrow for some human robot action.